Effortlessly Create Pro Level Photos
in 6 Weeks, Not 6 Years

Our cohort will kick off Tuesday, February 10th. [TODO: date] You'll get access to the community, onboarding materials and everything you need before that date so you can be prepared.

This isn't going to feel like a college level course with hours of lectures, note-taking and cramming. We've stripped everything back to make it as simple and actionable as possible.

Each week you'll get one live lesson (about 30-45 minutes) where I teach the core concepts and give you things to work on. Throughout the week, there are also group feedback sessions where we share work, discuss and problem solve together. You learn a ton just by watching others get feedback.

Everything runs on a consistent rhythm with the same times each week and all sessions are recorded, so if you can't make one live, you can watch it later. Very time-zone friendly.

Between sessions, you've got access to our private community where you can ask questions, share work, and connect with other students anytime.

The minimum daily investment is around 30 minutes. You can break this into smaller chunks if needed. 10 minutes in the morning, 10 midday, 10 in the evening.

Students who get the best results typically commit to one short outing with their camera per day, usually around an hour.

But here's the key: you don't need to go anywhere special. You can do all the exercises in your own home, at your desk, in your backyard.

This is training. We're building photographic fitness so that when you do go somewhere beautiful, you're ready.

No. This is one of the biggest myths in photography.

People think you need to be somewhere pretty to make good photos. But those beautiful locations actually become a crutch. You're not taking good photos; you're just taking photos of things that are hard to take bad photos of.

You can do every exercise in this program without leaving your house.

We train where we are so that when we do go somewhere epic, like Iceland or Japan, we're ready. You wouldn't show up at a powerlifting competition without having trained first. Same principle.

All sessions are recorded and you'll have access forever. We have students all around the world, so we get it. Sometimes the timing just doesn't work.

You can submit your questions and photos in advance, and I'll address them during the live session for you to watch later.

And beyond the calls, you always have access to asynchronous support in the community, so you can get feedback, ask questions, and stay connected even if you never make it to a single live session.

Showing up live is great because you can ask questions in real time, but you won't miss out if you can't make it.

Plenty.

You get access to live group calls every week: feedback sessions, Q&A, and teaching. Between calls, there are group support rooms where you can get feedback from me and the team anytime.

Plus, some of my professional photographer colleagues are in there too. They specialize in areas of photography where they're actually better than me. So you're not just getting access to my expertise, you're getting access to theirs as well.

Everyone in the group becomes homies. You're never going to feel like you're left without answers, support, encouragement, feedback, or critique. Whatever you need, we've got you.

Circle.

We chose it because it's the most user-friendly option and gives the highest quality experience for sharing photos and getting feedback.

Everything lives in one place: the curriculum, the calls, the calendar, your shared work, your questions, support from the team. No bouncing between platforms or hunting for links.

And it's not social media. It's a private, focused space just for us.

Both.

The group feedback sessions are one of the most valuable parts of the program. You learn so much by watching others get feedback on their work. And you're never forced to share; it's always volunteer.

When you do share, we focus on constructive feedback. It's never about embarrassing you. It's about showing you what's working and giving you a few nudges to help you grow.

We'll also give you honest critique. If something's not working, we won't give you empty praise.

Between sessions, you can also reach out in the community for feedback anytime.

Whether you're just starting out or you've been shooting for years, this program meets you where you are. It's taught at a fundamental level, and there's a difference between "beginner" and "fundamental."

If you're a beginner, you actually have an advantage. You don't have years of bad habits to unlearn. No patchwork of conflicting advice to untangle. A clean slate means faster progress.

If you're more experienced and feel stuck or plateaued, this is about clearing the weeds. You probably don't need more theory. You need clarity and priority.

We'll strip away everything that's bogging you down so you can finally move from academic understanding to intuitive fluency.

No.

I've mentored students to shoot professional-level work on basic, entry-level camera bodies. Some of them are now shooting professional work on "outdated" and "entry level" gear. Your kit is almost never the limiting factor. Whatever camera you have right now is enough to get started. We focus on foundational skills, not gear.

Yes, you can absolutely do this with film.

I shoot most of my work on film these days, so I get the appeal. But I want to be upfront with you: this program involves high volume shooting. You're going to be doing lots of exercises designed to accelerate your learning through rapid iteration and feedback.

Because of that, a digital camera is often the better learning tool. Faster feedback loops, more cost effective, and you can see your results immediately.

Yes, but I don't want you to think of it as homework in the burdensome, college sense.

This isn't going to be something you're procrastinating on because you don't want to do it. Think of them as little photo assignments. Fun exercises with clear step-by-step frameworks designed to help you level up and see results in real time.

A lot of students actually love the assignments and ask for more because of the creativity and clarity it brings out in their work. Honestly, they're one of the most fun parts of the program.

No. I'm not here to say my way is the right way.

What I'm here to do is give you the universal tools of photography that will allow you to express yourself to your fullest creative potential and pursue whatever direction calls to you.

The beautiful part about this method is that it doesn't force you into a specific, narrow style. It opens doors. It gives you the fundamental mastery so that nothing is closed off to you. Everything becomes available.

What it will do is give you the tools to unlock your unique artistic voice, so your process stops getting in the way of you expressing yourself and exploring creatively.

Yes. We have flexible options and we're happy to work with you to figure out what fits your situation.

If your application is accepted, a member of our team would be happy to find a plan that works for you.

If you apply the methods, do the work, and don't see a radical transformation in your photography by the end of six weeks, I'll give you a full refund and buy you a new lens.

That's how confident I am in this system. If you show up and put in the effort, it works.

I know you might think this is crazy, because nobody has guarantees like this. But I stand by it. The reason most people don't is because they don't have something they truly believe in.

The method works. I've never had to buy anybody a lens and I don't believe I'll ever need to.

You retain lifetime access to the program curriculum, including all future updates.

At the end of the program, you'll have the option to continue with graduate-level support and ongoing community access if you want to keep the momentum going.